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July 17th – August 13th, 2015: ANIMAL::MINERAL – Kelley Seda & Melissa Powlas
Animal::Mineral is an exhibition of paintings by Melissa Powlas, and painted sculptural forms by Kelley Seda. These colorful works venerate the static and fluid elements of nature, and celebrate the forces of the natural world. An artists’ reception will take
July 17th – August 13th, 2015: ANIMAL::MINERAL – Kelley Seda & Melissa Powlas
Animal::Mineral is an exhibition of paintings by Melissa Powlas, and painted sculptural forms by Kelley Seda. These colorful works venerate the static and fluid elements of nature, and celebrate the forces of the natural world. An artists’ reception will take
June 19th – July 10th, 2015: KCSCP Inaugural Exhibition
On 3rd Friday in June, Kiosk Gallery will host the inaugural exhibition of the Kansas City Society for Contemporary Photography. “Kansas City Society for Contemporary Photography is the incarnation of what was simply known as Society for Contemporary Photography or
June 19th – July 10th, 2015: KCSCP Inaugural Exhibition
On 3rd Friday in June, Kiosk Gallery will host the inaugural exhibition of the Kansas City Society for Contemporary Photography. “Kansas City Society for Contemporary Photography is the incarnation of what was simply known as Society for Contemporary Photography or
May 15th – June 12th, 2015: What Am I Looking At?
Image: courtesy Nicolas Gogan On 3rd Friday in May, Kiosk Gallery will host the inaugural exhibition in our new location: 916 E 5th Street, in the Columbus Park neighborhood of Kansas City, MO. What Am I Looking At? is a
May 15th – June 12th, 2015: What Am I Looking At?
Image: courtesy Nicolas Gogan On 3rd Friday in May, Kiosk Gallery will host the inaugural exhibition in our new location: 916 E 5th Street, in the Columbus Park neighborhood of Kansas City, MO. What Am I Looking At? is a
September 19th – October 10th, 2014: Adam Finkelston – Manifestations
Manifestations is an exhibition of two series of alternative process photographs: the namesake series Manifestations consists of a set of hand gestures in blue, while the self-portrait series Autographons are occluded apparitions and abstractions. Through a variety of analog and
September 19th – October 10th, 2014: Adam Finkelston – Manifestations
Manifestations is an exhibition of two series of alternative process photographs: the namesake series Manifestations consists of a set of hand gestures in blue, while the self-portrait series Autographons are occluded apparitions and abstractions. Through a variety of analog and
July 18th – August 8th, 2014: Group Exhibition – MYTHOPOEIC
This group exhibition features the work of Dan Fenning, Steph Toth Kates, Evelyn Haaheim, Rodolfo Marron III, Mary Maude, Kelley Seda, and Jillian Youngbird. The work in this show explores a range of both traditional and newly imagined mythologies –
July 18th – August 8th, 2014: Group Exhibition – MYTHOPOEIC
This group exhibition features the work of Dan Fenning, Steph Toth Kates, Evelyn Haaheim, Rodolfo Marron III, Mary Maude, Kelley Seda, and Jillian Youngbird. The work in this show explores a range of both traditional and newly imagined mythologies –
May 16th – July 11th, 2014: Joe Bussell & Fred Trease: The Petri Dish
For 3rd Friday in May, Kiosk Gallery presents “Joe Bussell & Fred Trease: The Petri Dish”. In this exhibition of paintings and digital drawings, we reimagine the gallery space as a solution containing a cross-section of the artists’ biologically-inspired experiments
May 16th – July 11th, 2014: Joe Bussell & Fred Trease: The Petri Dish
For 3rd Friday in May, Kiosk Gallery presents “Joe Bussell & Fred Trease: The Petri Dish”. In this exhibition of paintings and digital drawings, we reimagine the gallery space as a solution containing a cross-section of the artists’ biologically-inspired experiments
April 18th – May 8th 2014: Home, Land – Joshua Gann
For 3rd Friday in April, Kiosk Gallery presents “Home, Land”. These new paintings by Joshua Gann evoke grandiose spaces, yet focus on the materiality of paint and textured surfaces. You can meet the artist at the opening reception on April
April 18th – May 8th 2014: Home, Land – Joshua Gann
For 3rd Friday in April, Kiosk Gallery presents “Home, Land”. These new paintings by Joshua Gann evoke grandiose spaces, yet focus on the materiality of paint and textured surfaces. You can meet the artist at the opening reception on April
March 21st – April 11th, 2014: POLYCHROMATIC
INTRODUCTION by Erin Lindsay Dodson In this exhibition, Melissa Powlas, Lisa Rogers, and Jeanne Rittmueller share their explorations in the interactions between colors in paint through various forms of abstraction – finding the energy in edges, layers, and shapes. Each of these
March 21st – April 11th, 2014: POLYCHROMATIC
INTRODUCTION by Erin Lindsay Dodson In this exhibition, Melissa Powlas, Lisa Rogers, and Jeanne Rittmueller share their explorations in the interactions between colors in paint through various forms of abstraction – finding the energy in edges, layers, and shapes. Each of these
February 21st – March 14th, 2014: Molly Kaderka – Sacred Spaces
During a two month stay in Italy, Molly Kaderka spent a great deal of time in the churches and crypts of Florence – studying their interiors and examining the effects of light, time, and space. This set of small drawings
February 21st – March 14th, 2014: Molly Kaderka – Sacred Spaces
During a two month stay in Italy, Molly Kaderka spent a great deal of time in the churches and crypts of Florence – studying their interiors and examining the effects of light, time, and space. This set of small drawings
January 17th – February 14th, 2014: THE NEIGHBORHOOD – New Work by Stephanie Bloss
INTRODUCTION by Erin Lindsay Dodson Stephanie Bloss narrates her own experiences and those of the people in her network by creating her own visual language and repeating motifs. She uses map forms as both instructive guides and decorative patterns, and her
January 17th – February 14th, 2014: THE NEIGHBORHOOD – New Work by Stephanie Bloss
INTRODUCTION by Erin Lindsay Dodson Stephanie Bloss narrates her own experiences and those of the people in her network by creating her own visual language and repeating motifs. She uses map forms as both instructive guides and decorative patterns, and her
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